Cinematomic in the News

Studio Daily Review: Blackmagic Design Teranex 2D Processor
High-End Post Quality, Priced for Mass Appeal
My first memorable experience with Teranex was on a documentary about a decade ago. We had roughly 10 different source formats in different frame rates and frame sizes, and it all had to end up at 1080p at 23.98 fps. After exhaustive tests using every piece of software we could find to convert our footage, we realized that there was no way to turn video ....read more
Source: Studio Daily Read Article  
   
Studio Daily Review: Auralex ProPAD Monitor Isolators
A No-Brainer Approach to More Accurate Sound Reproduction
Apr 2, 2013.It’s been over 10 years since I’ve touched a fader on a big SSL mixing console or turned a knob on a Neve EQ. Most of my billable work is performed in my home studio, as is the case with many post-production professionals these days. Since my clients and I are now performing critical viewing and listening tasks in my studio, it is important that what they hear and see will translate to the real world....read more
Source: Studio Daily Read Article  
   
Studio Daily Prime Awards Breakfast April 17th
Just Announced: Nathan Adams will be Keynote Speaker
Join StudioDaily for the Prime Awards Breakfast on Tuesday, April 17, 2012, from 7:30-9:00am, at the Las Vegas Convention Center, as we salute the winners and honorable mentions of a distinguished circle of innovators in production and post. StudioDaily will also announce several Best in Show awards....read more
Source: Studio Daily Read Article  
   
Top 5 Ways to Avoid Catastrophe in Production & Post
Before you lose it on set or fix it in post, follow these simple guidelines to keep everything moving smoothly
It’s no surprise that rapid changes in technology and dramatic drops in budgets have forced many experienced producers out of their comfort zones and into uncharted waters...read more
January 10, 2012   Source: Studio Daily Read Article  
   
Ten Questions with Nathan Adams
For almost 20 years, Nathan Adams has proven that he is comfortable bridging the gap between creative and technical.
As a musician and recording engineer, Nathan has worked in legendary recording studios. With a solid understanding of the “old school”, Nathan began helping studios in LA and NYC switch from analog to digital. By 2001, Nathan added Avid & FCP ....read more
July 6th, 2011   Source: The Edit Forum Read Article  
   
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