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Cinematomic is a collective of artists leveraging modern tools to deliver top tier results at independent rates. We call this “insourcing”, and it IS the future of post production. By pooling our talents, we provide a full-service post solution for your web, television or theatrical project. It’s all about the talent. We don’t have an expensive espresso machine, or Italian marble floors, or a burdensome lease payment on a piece of hardware that was obsolete the minute it was purchased. Your money goes directly to the screen. There’s no finance department. There are no surprise invoices. There’s just the artist and you. |
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Nathan Adams
Producer & Post Production Supervisor
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| With a background as an engineer for both picture and sound, Nathan Adams began working as an editor on Avid and Final Cut Pro (starting with version 1.0). Nathan managed several cutting-edge post facilities including one of the first independent DI theaters in Los Angeles. Adams has assisted with post on hundreds of projects ranging from Oscar-winning features to independent short films, broadcast television shows, live events, web series and commercials. |
| Recently, Nathan’s credits primarily include Post Producer and Post Supervisor. Nathan is typically the primary “point person” for all Cinematomic projects. “I like being able to tell a client, ‘The buck stops here’, and know that my team has everything under control. For me it’s all about reaching the finish line on time and on budget.” |
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Stephen Hens
Color Correction & Digital Intermediate Artist
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| Prior to breaking out as an independent Colorist and Finishing Artist Stephen ran Chop House Edit/Chop House Post for seven years. Chop was a boutique creative post-production shop designed around the ideology that when a client comes through the door they are treated as a member of a partnership and collaborative. During his time at the helm of Chop Hens evolved from a preditor to an accomplished colorist and finishing artist. Hens work out of the only privately colorist owned and operated home DI Theater is Los Angeles. |
| Hens' extensive background working in post-production as both a producer and artist has given him the opportunity to collaborate, and at times helm, award winning and innovative television programming, commercials, music videos, and feature films across a broad range of genres. |
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Alan Chamberlain
Visual Effects Artist / Supervisor
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Alan is a writer and filmmaker that has been a professional freelance arttist for over 15 years starting in print advertising and early web development.
He came up with the software working with FCP, Photoshop and After Effects since their inception, and now does special VFX, compositing, motion graphics, animations and titles. Alan has worked on some celebrated documentaries including IOUSA, One Six Right, Inheritance, Running the Sahara, and FooFighters:Back and Forth.Alan is now a VFX supervisor and artist working in film and television. |
| Alan on IMDB |
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Todd Sandler
Video & Sound Editor |
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Todd has worked with some of the top production companies in the film industry including Dreamworks, Disney, Paramount, Bad Robot and The Kennedy Marshall Company. As a freelance editor, his work includes feature length narrative films, short films, documentaries, trailers, tributes and commercials. Recently, he edited the dramatic-thriller, Leave and worked alongside Jonathan Demme on his upcoming documentary, I'm Carolyn Parker.
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| He cut a theatrical trailer and several TV spots for Steven Spielberg's award winning film, War Horse, and edited the David O. Selznick Achievement Award tribute which Mr. Spielberg received at the 2012 Producers Guild Awards show. Upon accepting the award, Spielberg remarked "Everyone in this room should be working with Todd Sandler." Todd's enthusiasm for great storytelling is matched only by his dedication to the craft of cutting, his world-class technical expertise and his undisputed love of film." |
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Bill Devine
Sound Re-Recordist & Mixing Engineer |
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Bill Devine started working with audio during the 80’s, just before the digital revolution when things called razor blades did the editing. Educated at San Francisco State University’s film and broadcasting departments he began a 25 year journey learning sound and storytelling.
These days he can be found mixing on several stages at Warner Bros. and many others in and around Burbank including Bill’s own, home 5.1 stage for client pre-dubs and sound design. Bill is a member of the Editor’s Guild as well as the Cinema Audio Society. |
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© 2013 Cinematomic, LLC. All Rights Reserved.
All logos and trademarks are property of their perspective companies and appear here for demonstration purposes only.
Copying and/or publicly displaying the media contained herein is restricted. |
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